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中国山水画是中国人以“山为德、水为性”精神最为厚重的沉淀。笔墨形式并不是中国山水画的核心,真正的追求是在笔墨之外蕴含着人与自然浑然一体思想的意境。上世纪80年代以后,在中西方文化相互融合和碰撞的大背景下,传统的绘画语言和形式受到西方当代艺术的挑战,部分艺术家开始尝试通过新形式、新材料等非传统水墨的艺术语言营造山水幻象,以焕然一新的视觉效果唤起人们对中国传统山水精神的感悟。文章通过作品的创作手法和过程,分析和探究传统山水画意境的呈现方式及其蕴含的现代特性。
Chinese landscape painting is the Chinese people with “mountain is moral, water is nature ” spirit most heavy precipitation. The form of ink and wash is not the core of Chinese landscape painting. The real pursuit is to embody the artistic conception of integrating thought of man and nature beyond the brush and ink. Since the 1980s, under the background of the integration and collision of Chinese and Western cultures, the traditional language and form of painting have been challenged by contemporary Western art. Some artists have begun to attempt to create new forms of art language through non-traditional ink and wash of new materials Landscape illusion, with a new visual effects arouse people’s perception of the spirit of traditional Chinese landscape. Through the creation techniques and process of the works, the article analyzes and explores the ways of presenting the artistic conceptions of the traditional landscape painting and the modern features it contains.