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按:隆冬时节,记者见到了正从太行山写生归来的画家吴建陵。而我们的对话就在湘南的乡间小路上展开了。记者:吴老师,您的油画风景画非常古朴,写意式的笔触里似乎承接了五代至北宋山水画的传统——色彩上脱胎于青绿,追求一种沧桑的玉润清旷色泽;而笔法上结合油画材质的特点发展出一整套行笔意写的造型法式来。你的作品在画面上还有很多对欧洲自印象派绘画以来的技法的承袭,包括了很多现代主义绘画的
By: winter season, the reporter saw the painter Wu Jianling is returning from the sketch of the Taihang Mountains. Our dialogue started on the country lane in southern Hunan. Reporter: Teacher Wu, your oil painting landscape is very simple. The brushwork of the style seems to take on the tradition of landscape painting from the Five Dynasties to the Northern Song Dynasty. The color is born from verdure, and the pursuit of a kind of bright and clear jade pigment of luster. On the other hand, The characteristics of oil painting material developed a set of stylus to write style French. There are still many paintings in your work on the techniques inherited from the Impressionist paintings in Europe, including many modernist paintings