在缪斯的家族中,诗的精灵是最活泼、甚至有些刁钻古怪的了。它凭借想象之翼,乘着情感之风,来无影,去无踪,如醉如梦,在茫茫的思维空间中尽情地遨游。特别是近几年一大批青年诗人潮水般的涌现,为我们单色的诗歌画廊涂上了光怪陆离的色彩:向微观的内心与宏观的宇宙的同时掘进,面向世界的横向扫描与对中国传统文化的纵向寻根,当代性与历史感的交错。饱满的张力与三维空间立体感的追求……这一切表明诗歌美学的多元时代的来临。在疾速运动的诗的精灵面前,寻常的理智失去了制驭的力量,传统的方法论也处处 Among the muse’s family, the poetry genie is the most lively and even cunning. With its wings of imagination, riding on the wind of emotion, it has no shadow, no trace, drunk dream, and roam in the boundless thinking space. In particular, in recent years a large number of young poets have been tide-like in appearance, giving us monochromatic poetic galleries a bizarre color: simultaneous micro-inward and macro-universe digging, world-oriented horizontal scans and traditional Chinese culture The vertical root-seeking, interdisciplinary of contemporary and historical. Full of tension and the pursuit of three-dimensional three-dimensional sense of space ... all of this shows that the era of a pluralistic era of poetry is coming. In the face of the fast-moving poet, the common sanity loses its power to discipline and traditional methodologies are everywhere