几乎所有的现代批评大家都反复教育读者要先信任作者,先怀抱热爱,才能有所收获;几乎所有现代批评杰作都是对优异的辨识、召唤、理解乃至欲求。但回到当代中国文学的具体境遇中,一个怀揣这样批评教养的阅读者,往往会陷入某种由热诚、焦灼和愤懑所构成的困境中,他尝试怀抱热爱,但每每失望;他企图发掘优异,但触目处皆是平庸;甚至,他沮丧地见到,假想某位当代中国作家及其作品具有多种实际上并不具有的美好,已经成为时下诸多所谓文学批评家 Almost all modern critics have repeatedly educated readers to trust the author first and cherish the love first to gain something. Almost all the modern critical masterpieces are excellent for recognizing, summoning, understanding and even desiring. But returning to the concrete context of contemporary Chinese literature, a reader with such criticism and correction often falls into a predicament of enthusiasm, anxiety and resentment. He tries to embrace love, but he is often disappointed; he attempts to discover excellence However, he was frustrated to see that it was hypothesized that a certain contemporary Chinese writer and his works had many kinds of beautiful things that they did not actually have, and now they have become so-called literary critics of the time