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从学习刻字开始,了解怎样写篆书?如何掌握刻刀?特别是怎样选用、制作印材即印坯。多学多问多练多想,勤奋好学,随时间推移,相信广大爱好篆刻者均有或多或少方方面面的收获。现今接触和拥有珍贵印材的,无论篆刻家好,收藏家也好,以及爱好者也好都把“四大名印石”即青田石、寿山石、昌化石和巴林石作为终极收藏噱头,致使价格飞涨,资源枯竭,他们大多用于收藏赏玩,很少用于篆刻。除了名印材外,印人们更多的时候只用廉价的印材作为练习和创作,亦有各自寻找发掘尝试其它天然印材作为篆刻备用赏玩收藏的。
From the beginning of learning lettering, how to write a seal? How to master the knife? In particular, how to choose, the production of printed material that is printed blank. Learn more than practice and think more, studious, over time, I believe the majority of people who love cutting have more or less all aspects of the harvest. Today’s touch and possession of precious printed materials, regardless of seal carving, collectors, and lovers alike put the “four famous Indian stone” that is Qingtian stone, Shoushan stone, Chang fossil and Balin stone as the ultimate collection of gimmicks, resulting in price Soaring, resource depletion, most of them are used for collection of play, rarely used in carving. In addition to the name of printed materials, more people use only cheap printed materials as a practice and creation, but also have to find their own way to explore other natural printed materials as a seal carving reserve collection.