一、审美信息的选择 往往在同一天里,就有多少个画展开幕,请你光临,你到哪一家?这是种选择。但无论自己搞创作,还是参观别人作品,或听到评论创作,总是各抒已见,仁者见仁,智者见智……我自己从来不在各画种,各流派间,以时髦论高低,以其发展先后顺序论优劣。面对展出的多种风格的绘画作品,就个人而言,确有喜欢的,不喜欢的。但自己认为凡局部有参考价值的,一律作为“信息”储存,兴许日后在不同的地方,自己就用上了,这是不交学费的。我画过一张工笔创作,叫“希望”——在窑洞窗前,垂下一个竹帘,母亲坐在帘后炕上,那一笔笔排列整齐的毛笔横线条,从人物脸上平均扫过。这种技法美感缘自我六十年代见过的任伯年一张仕女画,画面仕女身处帘后,任伯年在其脸上,整齐地排列小写意的横线条。而我在七十年代创作中竟用上了。 First, the choice of aesthetic information is often the same day, how many art exhibition opened, please visit, where do you go? This is a choice. But regardless of their own creative work, or visit other people’s works, or hear the commentary creation, always express their views, benevolent see the benevolent, the wise see the wisdom ... ... I myself never in the various genres, the genre, to the level of fashion, with its The order of development advantages and disadvantages. Faced with a variety of styles on display paintings, personally, really like, do not like. However, in my opinion, where there is a reference value locally, it should all be stored as “information,” and perhaps in different places in future, it will be spent on itself. This is not to pay tuition fees. I drew a meticulous work called “Hope” - in the cave window, drooping a bamboo curtain, the mother sat on the back of the kang, the pen neatly arranged horizontal brush lines, sweep the average face from the characters . The beauty of this technique since the sixties of the Ren Bo years seen in a beauty painting, ladies in the screen, Ren Born in his face, neatly arranged small horizontal lines. And I actually used it in the seventies creation.