论文部分内容阅读
近来看翁思再主编的《京剧丛谈百年录》,心里有几个“话头”挥之不去:“改革派”“聆曲家”“是非缠身的绝代佳人”。近百年的中国京剧,像极了一位是非缠身的绝代佳人。京剧被称为国剧,京剧诞生在京城,从徽班进京算起,诞生至今不过三百年,和相对古老的昆曲、梆子腔、京腔比较,是一个年轻的剧种。形成一百年,发展一百年,繁荣一百年——如果按这样的轨迹,她至今应该盛年芳华、风姿绰约、子实满枝。
In recent years, Weng Si again editor of the “Peking Opera Series Centennial”, my heart a few “head ” lingering: “Reform ” “Melody ” . Nearly a hundred years of Chinese Peking Opera, like a very non-riddled peerless beauty. Peking Opera is known as the national drama. Peking Opera was born in the capital city, counting from the emblem class to Beijing. It has only three hundred years since it was born. It is a young opera genre compared with the relatively ancient Kunqu Opera, Bangzi Opera and Beijing Opera. Forming one hundred years, one hundred years of development, and one hundred years of prosperity - If she should follow such a track, she should have enjoyed a flourishing year with graceful grace and fruity beauty.