早在上世纪九十年代,贾平凹就因其小说中塑造了大量美好女性形象而被评论者认为具有“女性崇拜”的倾向。可以如此说,贾平凹小说中的“女性崇拜”意识贯穿其多年来的创作,且随着小说主题的日渐厚重,体现出日益丰富的精神内涵。以下,笔者拟以贾平凹二十一世纪初期先后推出的《秦腔》《古炉》《带灯》三部小说为例,对其“女性崇拜”的深层意蕴略加探究。一、童年记忆中的母性之爱有论者将贾平凹笔下的“女性崇拜”称之为“女神崇拜”。其所以称为“女 As early as the nineties of the last century, Jia Ping-wa was considered by critics to be ”female cult“ because of the large number of beautiful women in his novels. It can be said that the consciousness of ”feminine worship“ in Jia Pingwa’s novels runs through many years of his writing, and with the growing thickness of the theme of the novel, he embodies an increasingly rich spiritual connotation. The following, the author intends to Jia Ping-kao early in the twenty-first century has introduced the ”Qin chamber“ ”ancient furnace“ ”lamp with“ three novels as an example, its ”female worship “ a little deeper study. First, the childhood memory of maternal love Some commentators will Jia Pingwa pen ”female worship “ called ”goddess worship “. It is called ”female