“物哀”与“知物哀”是日本江户时代晚期国学家本居宣长对日本传统文学的审美和诗学要素进行的总结与再诠释,强调对于万事万物的共感和共情,强调物语创作要呈现和理解人情。樋口一叶是活跃于明治二十年代日本文坛的一颗璀璨的彗星,她的作品以人情的描写为主干,以多种手法凸显和塑造人情,是对“物哀”和“知物哀”论的全面呈现和诠释。 “Material sorrow” and “intellectual sorrow” are the summary and reinterpretation of the aesthetic and poetic elements of Japanese traditional literature by Benjamin Habitat, a late Sinologist in Japan’s Edo Period, emphasizing the sense of common ground for all things Empathy, emphasizing the creation of the story to show and understand the human condition. Ichiro Ichiba is a bright comet active in the Japanese literary world in the 1920s. Her work is based on the portrayal of human feelings and highlights and molds human feelings in many ways. Object sorrow "comprehensive presentation and interpretation.