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和声学课程在专业音乐院校各专业是必修的,与和声学相关的四部和声以及四部和声练习,也是与和声理论部分同步进行。完成了和声学学科,或者谙熟四部和声练习,却对四部和声与配器之间的关系知之甚少者众多,因为配器是作曲专业的独立学科。满足于和声课程,写四部和声作品或者合唱歌曲是远远不够的。音乐爱好者的这个群体中,因为对电脑编曲的兴趣,也有必要掌握这些学科并有效地运用于电脑编曲旳实践中。相对于更加重要的如:《配器法》(亦叫《乐器法》)、《复调》、《和声作曲》等学科,他们也许望而却步。而事实上,掌握这些学科,才能够让我们的四部和声知识充分发挥作用,使四部和声与配器变成电脑音乐编曲创作的得心应手之工具。
And acoustics courses in professional music colleges and universities are required for all majors, and with the harmony of the four harmonies and four harmony practice, but also with harmony theory part simultaneously. Completed with the acoustic discipline, or familiar with the practice of the four harmony, but the relationship between the four harmonic and adapter is poorly understood, because the adapter is an independent discipline of composition. Satisfy the harmony course, writing four harmony works or choral songs is not enough. Music lovers in this group, because of the interest in computer arranger, but also necessary to master these disciplines and effectively applied to the compilation of computer practice. They may be discouraging from the more important disciplines such as the Equipments Act (also known as the Musical Instruments Act), Polyphony, and Harmony Composition. In fact, mastery of these disciplines can make our four-part harmony knowledge fully functional and turn the four-part harmony and device into a handy tool for computer music composition creation.