据说,青年人不愿意看戏曲演出,不喜欢戏曲音乐,所以,戏剧界不少同志议论着“戏曲危机”。造成这种情况的原因当然很多,但是其中有一个重要的原因,我认为是我们中小学音乐教育中缺少应有的戏曲音乐的内容。英国人以自己的莎士比亚为骄傲,中小学就把莎氏戏剧本事作为教材,我记得,我在读中学的时候还读过这本称之为《乐府本事》的戏剧故事集,从而知道了《李尔王》、《哈姆雷特》……等。我相信法国人也一定把莫里哀的生平,著作作为他们中小学教材的内容。而我国戏曲艺术源远流长,关汉卿、王实甫、汤 It is said that young people are reluctant to watch opera performances and do not like opera music. Therefore, many comrades in the theater talk about the “drama crisis.” There are, of course, many reasons for this. But one of the important reasons is that I think it is a lack of proper drama music in primary and secondary school music education. The British, proud of their own Shakespeare, used Shakespeare’s drama as a textbook in primary and secondary schools. I remember that when I was in high school, I read this drama series called “Yuefu” and learned that “Lee King ”,“ Hamlet ”... and so on. I believe that the French must also take Moliere’s life and work as the content of their primary and secondary teaching materials. The art of Chinese opera has a long history, Guan Hanqing, Wang Shih-Fu, soup