一、中西方对写生的不同理解中国当代山水画家面对西方绘画体系的影响,在写生方法的选择中出现了一些新的变化。一部分山水画家坚持着“师造化”的传统写生理论,把主要精力用于印证传统笔墨程式法则,或者通过对景写生来探索新的笔墨语言;而另一部分山水画家则积极引用西画的写生方法,把写生作为训练造型和构造画面形式 First, the different understanding of Chinese and Western sketches Contemporary Chinese landscape painters face the impact of Western painting system, the selection of sketch in the emergence of some new changes. Some landscape painters adhere to the traditional sketch theory of “making and educate their masters”, devoting their energies to confirming the traditional rules of pen and ink, or exploring new pen and ink languages ​​through sketching of landscapes; while other landscape painters actively refer to the sketching of western paintings Method, the sketch as a training style and structure of the screen form