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自20世纪初手风琴传入中国,其音乐创作呈现了以民族音调为创作基调和审美观念,探寻浓郁的民族音乐风格。《归》是以中国五声调式为基础,结合西方作曲技法而创作的手风琴独奏曲。本文就民族音乐的艺术品质与演奏处理对该曲进行了分析。
Since its introduction into China at the beginning of the 20th century, its musical composition has been characterized by its national tone as the keynote and aesthetic conception, exploring the rich ethnic music style. Gui is an accordion solo composed on the basis of the Chinese five tones and based on western composition techniques. This paper analyzes the art of the national music quality and performance of the song.