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根据乐府诗的音乐本质及生态特点,以是否入乐为核心考察各类歌辞在北朝乐府内的创制及入乐、著录等情形,有助于揭示北朝乐府音乐的复杂性及其形成原因。入乐实则表明这些歌乐在北朝乐府范围内,仍然保有由曲调、歌辞、乐器、表演者等各方面保障下的艺术生态的完整性,不入乐者则已经缺失,无法进一步产生影响。从歌乐舞辞的入乐实际,可以分明觉察北朝统治者的审美倾向、南北文化的差异与隔膜以及具体的乐府音乐建设的基础保障,操纵着各类歌辞乐舞的走向,使其最终归于不同的历史序列。
Based on the musical nature and ecological characteristics of the Yuefu poems, the author examines the creation, music importation and bibliography of various kinds of songs in the Yuefu administration in the Northern Dynasties with or without music as the core, which helps to reveal the complexity and causes of the music of the Yuefu music in the Northern Dynasties. In fact, it shows that these croissants retain the integrity of the artistic ecology under the protection of the melodies, songs, musical instruments and performers in the area of the Northern Dynasties. The non-entertainers are lacking and can no longer have any influence. From the reality of the music and dance poetry into the music, we can clearly perceive the Northern Dynasties rulers’ aesthetic tendency, the differences between North and South cultures and the basic protection of the diaphragm and the specific Yuefu music construction, and control the various styles of music and dances to eventually make them different Historical sequence.