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近年来话剧舞台上有一股远离现实斗争生活、回避、淡化人民群众关心的重大社会政治问题的倾向。由于对纯审美的,所谓高层次剧作的片面追求,和对所谓低层次的“社会问题剧”的批判轻视,使一些剧作家的社会责任感渐渐淡漠;使人民群众同话剧的关系渐渐疏远。肤浅的、公式概念化的、图解式的“社会问题剧”的确应该受到批评,它也的确在一段时间中使观众倒了胃口。然而,第一,并不是所有“社会问题剧”都是浅层次的;第二,尤其不应因批判一些肤浅的“社会问题剧”而使“社会”这个大内容在剧作家笔下被稀释、淡化、疏远,使“社会”渐渐从舞台
In recent years, there has been an inclination in the drama stage to stay away from the realities of struggle for struggle, to evade and dilute major social and political issues of concern to the masses. Due to the one-sided pursuit of the purely aesthetic and so-called high-level dramas and the neglect of the critique of the so-called low-level “social problem drama,” some playwrights gradually lose their sense of social responsibility; and the relations between the masses and drama are gradually estranged. The superficial, formulaically conceptual, graphical “drama of social issues” should indeed be criticized, and it does, indeed, overthrow the audience for some time. However, firstly, not all “social issues plays” are superficial; secondly, in particular, the great “social” content should not be diluted by the dramatists because of criticizing some superficial “social drama” , Dilute, alienate, so that “society” gradually from the stage