如果说将金石学介入经学是阮元通学表现的话,那么,他的通学还表现在将金石学介入书学,从而引起了清代书法史上的一场碑学运动。随着大量汉碑、北碑的出土和研究的深入,使得阮元的碑学思想一步一步走向成熟。十七、十八世纪的金石热重新唤起了人们对古代书体的兴趣,阮元为治经而涉及的金石学,为他的碑学思想提供了直接的源泉,他所构建的古代书法史的理论框架,也是取决于训诂、小学、金石学这些考古学的骨干学科而得以支撑的。 If the metaphysics involved in Confucian classics is the performance of Ruan Yuan Tong, then his tuition is also involved in anthropology calligraphy, which led to a history of calligraphy in the Qing Dynasty calligraphy movement. With a large number of Han tablets, unearthed Bei Tablet and further research, making Ruan Yuan’s thought of Buddhism step by step toward maturity. In the 17th and 18th centuries, Jinshi heated up people’s interest in ancient calligraphy. Ruan Yuan, the golden pedestal involved in the Buddhist scriptures, provided a direct source of his thought of his tablet. His theory of the ancient calligraphy history The framework is also supported by the key disciplines of archeology including Exegesis, primary schools, and petrology.