电影是什么?西方人和中国人往往从不同的文化视角提出和解答这个问题。西方文化对电影的把握侧重于联系电影的物理性能、构成元素进行剖析,以严密的逻辑推理形式进行抽象的理论概括。爱森斯坦的蒙太奇理论,巴赞的纪实美学,麦茨的结构主义符号学,基本上沿着这样一条思维走向探讨。中国人则不然。中国文 What is the movie? Westerners and Chinese tend to propose and answer this question from a different cultural perspective. The western culture’s emphasis on the film focuses on the physical properties of the connected films, the analysis of its constituent elements, and abstract theoretical summaries in the form of strict logical reasoning. Eisenstein’s montage theory, Bazan’s documentary aesthetics, Metz’s structuralist semiotics, basically along such a thinking to explore. Chinese are not. Chinese