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严培明:我1960年出生在上海。和同龄的艺术家相比,可以讲述出一段更跌宕的人生经历:一个在上海人口中的“下只角”长大的孩子,从小口吃,总是和世界沉默相对,唯一的交流就是画画。在屠宰场工作的父亲,在里弄加工厂上班的母亲,他们能够带给这个孩子的安慰是腾出家里唯一的饭桌,让我开心画画。死亡对我来讲是一个永远纠缠的主题。生活在法国、欧洲,对死亡的思考会更自由。在日内瓦,我曾看到基地就在公园里,孩子就
Yan Pei Ming: I was born in 1960 in Shanghai. Compared with the same age artists, you can tell a more ups and downs of life experience: a “Shanghai population only” corner of the child grew up, stuttering, always with the world silence, the only exchange is to draw painting. The father who worked in the slaughterhouse and the mother who worked at the Lihon processing factory, the comfort they could bring to this child, was to free up the only table in the house and make me happy to draw pictures. Death to me is a theme forever entangled. Living in France, Europe, more freedom to think about death. In Geneva, I saw that the base was in the park, the children