你若离开,我便浪迹天涯。一个浪漫的剧名,一次诗意的想像,把我们带到国家话剧院剧场。去年以《罗刹国》令人惊艳的青年导演赵淼,在国家话剧院首部音乐剧中,又会怎样别出心裁呢?实话说,选择音乐剧,是一场冒险。虽然近两年,音乐剧获得的关注度较高,但对大多中国观众来说,其话剧味蕾才刚刚被打开,音乐剧还属尝鲜。何况这一艺术样式还有着内在尴尬和天然危险——弄好了,音乐与戏剧两全其美;弄不好,两败俱伤。 If you leave, I wander the horizon. A romantic title, a poetic imagination, took us to the National Theater theater. Last year, Zhao Miao, an amazing young director of “Luo Shaoguo”, was so creative in the first musical of the National Theater. To tell the truth, choosing a musical is an adventure. Although more attention has been paid to musicals in the past two years, for most Chinese audiences, the theater’s taste buds have just been opened and musicals are still on the prunes. Moreover, there is inherent embarrassment and natural danger in this art style - well, music and theater are the best of both worlds; neither good nor bad.