侯孝贤作为从台湾新电影起步的导演,其作品经常生动地表现了台湾的历史与民众命运。深受安德烈·巴赞长镜头理论的影响,侯孝贤在作品中大量地运用了长镜头的拍摄手法,形成了独特的个人风格。本文分析了侯孝贤电影代表作《悲情城市》中长镜头的具体运用,探讨并揭示《悲情城市》长镜头运用的艺术特征。 Hou Hsiao-hsien, director of a new movie from Taiwan, often shows vividly the history of Taiwan and the fate of the people. Influenced by Andrea Bashan’s long shot theory, Hou Hsiao-Hsian used extensive shooting techniques in his works to create a unique personal style. This article analyzes the concrete application of the middle and long shots of Hou Hsiao-hsien’s “Tragic City”, and explores and reveals the artistic features of the long-awaited use of “Tragic City”.