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《蝴蝶梦》由著名导演希区柯克拍摄制成,电影明显承袭希式惯有风格:哥特式建筑,不无阴森可怖的古堡,谜一般的人物情节等。借助新式批评方法,笔者意欲从女权主义视角对该片进行更深层次的解读,从而为从未出场却贯穿始终的女性丽贝卡发声捍卫。电影《蝴蝶梦》的英文名是Rebecca。它讲述了贵族富人文德斯在经历几年前的丧偶之痛后,意外遇见了年轻善良的姑娘,并与之坠入爱河,继而结婚,
“Butterfly Dream” by the famous director Hitchcock filming made, the movie clearly inherited the Greek habitual style: Gothic architecture, not without ghastly castle, enigmatic figure episodes. With the help of the new method of criticism, I intend to interpret the film from a feminist point of view in a deeper way, so as to defend the never-ending female Rebecca. The movie “Butterfly Dream” English name is Rebecca. It tells of the wealthy Mandez of aristocracy, after experiencing the death of a few years ago, accidentally met a young and kind-hearted girl, fell in love with them, then married,