在菲勒斯中心主义笼罩下,文学作品中的女性被男权话语压制,女性形象也是在男性经历的描述中以被动的方式塑造。邝丽莎的《上海女孩》以女性为第一人称写作,以女主人公的经历为主线,叙述母女情谊、姐妹情谊对男权话语霸权的反抗,实现女性情谊对菲勒斯中心主义的突围。菲勒斯中心主义的“菲勒斯”(phallus,译为“阳具”),是男权的隐喻符号,他将男性的生理特征转化为社会秩序上的优越性,而利用女性生理上的“缺失”规定男优女劣、男尊女卑,肯定男性的权威,以父权制的正面价值建 Under the influence of Fellows’ centralism, women in literary works are suppressed by patriarchal discourse and female images are shaped passively in descriptions of male experiences. Kui Lisha’s “Shanghai Girls” takes the female as the first person writing and takes the experience of the heroine as the main line, narrating the resistance of mother-daughter friendship and sister friendship to the supremacy of patriarchal discourse and realizing the break-through of Fellows’ The Phallocentric “phallus” is the metaphorical symbol of patriarchal power that transforms male physiological traits into superiority in the social order, using female Physiological “absence” provides male and female superior, male and female inferior, affirming the authority of men, the positive value of patriarchy to build