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所谓童趣是指儿童天真浪漫、无忧无虑的情怀,其在绘画艺术中童趣的体现是在19世纪下半叶至20世纪初。彼时工业大革命发展的如火如荼,科技要迅猛发展带来心理压力的增加以及心灵的空虚。人们迫切地需要释放压力,使身心回归到原始的放松状态,于是一部分画家将作品中融入童趣元素。类似的作品一经推出引起了极大原反响,天真纯朴的画面带给人们身心放松的愉悦,人们在各种反映童趣的画面中寻找迷失的快乐。本文着力于童趣的文化表征研究,将童趣所反映的画面的本质及内涵进行深入地探析,从而得出其在艺术领域内存在的意义与作用。
The so-called childlike innocence refers to children’s innocent romantic, carefree feelings, and its childlike expression in the art of painting reflected in the second half of the 19th century to the early 20th century. At that time, the industrial revolution was in full swing. The rapid development of science and technology brought about the increase of psychological pressure as well as the emptiness of the soul. People urgently need to release the pressure, so that the physical and mental return to the original state of relaxation, so part of the artist into the works of childlike elements. Once introduced, the similar works have caused the great original reaction. The innocent and pure pictures bring the pleasure of physical and mental relaxation. People look for the lost happiness in various images that reflect the childlike innocence. This paper focuses on the study of the childlike cultural representation, explores the essence and connotation of the images reflected by the playfulness to get the meaning and function of its existence in the field of art.