当代戏曲漫画高手有三位,各擅胜场,各具风采:关良的作品以稚拙见长,韩羽的作品以泼辣取胜,高马得的戏画,则含蓄而不晦涩,夸张而不怪诞,简洁明快,洒脱秀丽,文人水墨写意的韵律流贯其间,构成他作品风姿绰约、雅俗共赏的特色。马得自幼喜爱画画儿。稍长,接触传统戏曲艺术,耳濡目染,烂熟于心,并尝试以丹青为戏曲人物传神写照。抗战时期,在漫画创作的同时,他结识了中国当代漫画的奠基者叶浅予、张光宇。叶浅予的速写漫画功力和张光宇的富于民间艺术的夸张变形的手法,给马得极深影响。同时,他还悉心研究那些生活气息浓郁的古老汉画艺术和民间年画,从而奠定了他以中国传统笔墨再现戏曲人物的创作道路。四十多年来,戏画是高马得锲而不舍的追求,并且已取得了社会的好评。戏曲漫画连环画“孙悟空三打白骨精”曾获得联合国科教之中心奖,给戏曲漫画这门艺术争得了世界声誉。 Contemporary opera comic masters have three, each good at victory, each with style: Guan Liang’s works are immature, Han Yu’s works to be punctuated, Gao Ma’s paintings, the implicit and not obscure, exaggerated and not grotesque, Simple and neat, free and easy beauty, literati ink rhythm flowing through the meantime, constitute the graceful grace of his works, elegance and commonplace features. Ma has loved drawing since childhood. Slightly longer, contact with the traditional drama art, monasteries, overripe, and try to express the legendary Danqing opera figures. During the war of resistance against Japan, he was acquainted with the creators of contemporary Chinese comics, Ye Qian Yu and Zhang Guangyu, while comic creation. Ye shallow to sketches the comic skill and Zhang Guangyu rich in folk art of exaggerated deformation approach to the horse was extremely influential. In the meantime, he also carefully studied ancient Han painting and folk New Year paintings with rich flavor of life, thus laying the foundation for his creation of traditional Chinese characters. For more than 40 years, the painting has been a persistent pursuit of high horse, and has won the praise of society. The operatic comic comic book “Sun Wukong Sanda” has won the center prize of the United Nations Science and Education and won the world reputation for the art of opera and cartoons.