建立曲艺学,使曲艺进入国家学科建设的序列,是曲艺人自上个世纪80年代发出的呼唤!当时“文革”已经结束,面对万物复苏百废待兴的大环境,曲艺事业呈现出史无前例的兴旺局面,河南任骋先生,首先在《曲艺艺术论丛》提出了《关于“曲艺学”的思考》。当时的曲艺界,演出和创作是活跃的,但理论评论和研究相对冷寂一些。所以任骋先生关于“曲艺学”的思考虽然感觉新鲜,但对照曲艺现实,遥远得近乎遐想。原因简单,“曲艺学”虽然涉及曲艺的方方面面,但毕竟是理论研究的主业,而曲艺的理论研究恰好是曲艺整体的软 At the time, “Cultural Revolution” was over. In the face of the great environment in which recovery of all things was to be done, the cause of folk opera emerged In an unprecedented prosperous situation, Mr. Ren Cheng of Henan Province first proposed the “thinking about” art studies “in the” Qu Yi Art Symposium. “ At that time, the art world, performances and creations were active, but the theory comments and research were relatively cold and quiet. Therefore, Mr. Ren Cheng’s thinking on ”Quyi Studies “ feels fresh, but the reality of control music is far and near reverie. The reason is simple, ”Quyi " Although involved in all aspects of folk art, but after all, is the main business of theoretical research, and the theory of Qu Yi is exactly the overall soft art