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新世纪伊始，中国美学转型在三个方面呈现端倪。超越美学以其生存论的人类学本体论的深度开掘，以彰显生存的本源性、本己性和主体间性为转型建基。审美文化研究以其对审美文化生存性的高度敏感，关注和护持为转型开道。美学的“中国化”则以其虚实相生的生命识度，为转型呼唤着一种具有原发生存势态的风神气象。美学的转型实质是：回到本源性的生活世界，在新世纪开出一条美学新路。
At the beginning of the new century, the transformation of Chinese aesthetics has taken shape in three aspects. Beyond Aesthetics Digs through the depth of anthropological ontology of its theory of survival in order to demonstrate the origin, nature and subjectivity of existence as the foundation for its transformation. Aesthetic culture research is highly sensitive to the survivability of aesthetic culture. The “localization” of aesthetics calls for the transformation of a kind of wind-god weather with the original state of existence based on the life awareness of its actual situation. The essence of aesthetic transformation is to return to the original life world and open a new aesthetics road in the new century.