20世纪五六十年代,在新中国人物画反映现实的变革热潮中,浙江美术学院周昌谷等一批青年教师的人物画创作,特别注意现代人物造型与传统笔墨相结合的学术研究,比当时全国范围的“中西融合”的宽泛实验想得更深入,问题意识更到位,对传统也有更多的理解。因而,这一批人在改革开放初期便成为全国性的学习典范,并在美术界被称之为“浙派人物画”。该派的突出特色,是保持了 In the fifties and sixties of the 20th century, a number of young teachers such as Zhou Changgu at the Zhejiang Academy of Fine Arts painted portraits in the frenzy of new Chinese portrayals reflecting the reality. They paid special attention to the academic study of the combination of modern figures and traditional writing. The broader “middle and western integration” experiments in the area would like to go deeper, raise the awareness of problems, and have more understanding of the tradition. Therefore, this group of people became a nationwide learning model in the early days of reform and opening up, and was called “Zhepai ​​Figure Painting” in the art world. The salient features of the school are maintained