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在舞剧发展的第六个阶段(2000-2009),我国的舞剧创作非常繁荣,政治稳定、经济繁荣,为艺术创作提供了良好的社会基础。一些编导将以前的舞剧拿出来重新加工,富裕其新的生命力,《大梦敦煌》就是其中的一部。笔者认为它是将1979年第一部以敦煌壁画为背景的舞剧《丝路花雨》进行重新加工,让月牙泉和莫高窟拟人化,赋予了它们新的生命力,并且在舞蹈、音乐、舞美和服装等方面大尺度改良使得戏剧、舞蹈与音乐完美的融合。
In the sixth stage of the development of ballet (2000-2009), our country’s ballet creation is very prosperous, political stability and economic prosperity provide a good social basis for artistic creation. Some choreographers took the previous ballet out for reworking and enriched their new vitality. “Dreams of Dunhuang” is one of them. In my opinion, it is the first rehearsal of the “Silk Road Flower Raindance”, a dance drama based on the Dunhuang murals in 1979, which has given people the new vitality of Crescent Moon Spring and the Mogao Grottoes. They have also given new vitality in dance, music, Large-scale improvements in the fields of dance, beauty and costume make the perfect combination of drama, dance and music.