徐恩存(以下简称徐):您的《碑林》创作于十五年前,在当时具有相当影响,请您谈谈这幅创作产生的背景,当时的创作思想及灵感来源。 田黎明(中央美术学院中国画系副主任,以下简称田):那时我是一个部队画家,偏爱历史画的创作是当时的社会背景所决定的,在这种状态中许多画家把自己投入到一个大群体中来体验生活和思考问题,很少有人站在个人的角度来考虑创作问题。我常常下部队一面是体验生活为参加全国、全军美展做收集创作素材的准备,一面辅导基层业余美术骨干。记得在 Xu Envu (hereinafter referred to as Xu): Your “Beilin” creation fifteen years ago, had a considerable impact at the time, please talk about the creation of this background, the creative thinking and inspiration sources. Tian Liming (the deputy director of the Central Academy of Fine Arts Chinese painting department, hereinafter referred to as Tian): At that time I was a force painter, the preference for the history of the creation of the painting was determined by the social background at that time, many painters put themselves into a In large groups, to experience the problems of life and thinking, few consider the issue of creation from an individual perspective. I often take part in the army team to experience the preparation of life for participating in the nationwide and nationwide military art exhibitions and to guide the backbone of amateur art at the grassroots level. Remember