书法语言的虚构是书法家追求语言多义的切实表现。从书法史上可以看到,许多书法家早期是以写实语言进行铺垫的。但是到了基础扎实之后,便追求书法语言的虚构成分。清人毛宗岗说得很中肯:“正笔发明在前,奇笔推原在后;正笔极其次第,奇笔极其突兀。”它们是朝着不同的审美方向发 The fictionalization of calligraphic language is the practical expression of the calligrapher’s pursuit of language polysemy. As we can see from the history of calligraphy, many calligraphers laid their groundwork in the early days in a realistic language. However, when the foundation is solid, the fictional composition of the calligraphic language is pursued. Qing Mao Zonggang said very pertinent: “is the invention of the pen in front of the odd pen pushing the original; is the most extreme pen, odd pen extremely awkward.” They are toward different aesthetic direction