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布莱希特辩证戏剧要求观众对文本进行重写性质的阅读。这种异质性认知以故事和叙事投射为工具,在互文性文本创作中,通过陌生化和概念合成形成寓言结构。互文故事中投射出来的微观结构与文本意义之间形成寓言机制。剧中人物、情节和叙事等象征性元素的共同点就是辩证的对立统一,象征可以隐喻性地映射到其他叙事中,布莱希特戏剧中的辩证法因此从目标域变成来源域。
Brecht’s dialectical drama requires the audience to rewrite the text in the nature of the reading. This heterogeneity cognition takes the projection of stories and narrative as a tool, and in the creation of intertextuality, fable structure is formed through defamiliarization and conceptual synthesis. The allegory mechanism formed between the microscopic structure projected in the intertextuality and the meaning of the text. The common elements of symbolic elements such as characters, plots and narratives in the play are the dialectical unity of opposites, the metaphorical representation of metaphorical features in other narratives, and the dialectics in Brecht’s drama from the target domain to the source domain.