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中国兴起于20世纪90年代的文化研究,是在80年代末精英文化与主流意识形态渐行渐远、通俗文化大行其道的背景下出现的。它同样吸取了西方思想界文化研究的理论话语资源,但由于语境的不同,中国的文化研究已经显示出“扎根于中国社会文化本身的土壤”的努力,显示出中国学界在当代影视文化研究中批判不合理的现实与重建学术理想的双重特色。因此,它呈现出的电视剧理论批评面貌可以用多元文化的“中国阐释”来描述,主要成果在于立足本土化研究的学术立场所得出的一系列结论。20世纪90年代以来,中国电视剧由主导文化、大众文化和精英文化共同搭建的审
The rise of China in the cultural studies of the 1990s was brought about by the gradual decline of the elite culture and mainstream ideology in the late 1980s and the popularity of popular culture. It also absorbs the theoretical discursive resources of cultural studies in the western thought world. However, due to the different contexts, Chinese cultural studies have shown that the efforts of “rooted in the soil of Chinese social culture itself” The Unreasonable Criticism in Cultural Studies and the Dual Characteristics of Reconstructing Academic Ideals. Therefore, the theory of drama criticism that it presents can be described by a multicultural “China Interpretation.” The main achievement lies in a series of conclusions based on the academic standpoint of localization. Since the 90s of the 20th century, Chinese TV dramas have been jointly set up by leading culture, mass culture and elite culture