批评家失去了批评的勇气,这似乎是当代世界艺坛带有一定普遍性的问题。这里节略贡氏《艺术发展史》中的一些看法供读者参考。题目为主持人所加。 今天的问题是,当年对新作品的那种震惊感已经消失,任何一种古怪的绘画形式也不能惹恼批评家,在报刊评论和公众看来,几乎任何实验性的事物都不妨接受,以为艺术中事关紧要的就是变化和新奇。正是由于对变化感兴趣,使得变化加快到令人头昏眼花的地步。当前对艺术史这种新的兴趣,本身就是那已经 Critics have lost the courage to criticize, which seems to be a matter of universal certainty in the contemporary world art scene. Here’s a brief account of Gong’s “History of Art Development” for some readers’ reference. Topic for the host added. The problem today is that the sense of astonishment at the time of the new work has vanished. Any kind of weird painting can not upset critics. In the opinion of the press and the public, almost any experimental matter can be accepted as an art What matters in the midst of this is change and novelty. It is precisely because of changes in interest that make the change accelerated to the point of dizziness. The current new interest in art history is itself already