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中国古典美学分前和谐、和谐与后和谐三个逻辑阶段，分别体现于先秦两汉偏重客观再现的“物境”时期；魏晋至明中叶追求完美统一，以“意境”为主要特色的时期；明中叶至近代偏重于主观表现具有近代美学萌芽色彩的以“情境”为特征的时期。
The three stages of harmony, harmony and post-harmony of Chinese classical aesthetics are embodied in the “material conditions” during which the pre-Qin and the Han Chinese emphasized the objective reproduction respectively; the period characterized by the pursuit of perfect unity and the “artistic conception” from the Wei and Jin Dynasties to the mid-Ming Dynasty; From mid-Ming Dynasty to the modern period, the period characterized by the “situational” is the emphasis on the subjective expression of the sprouting of modern aesthetics.