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1997年香港回归,内地市场正值改革开放,两地之间的互动加强,香港导演眼光投向于中国内地这个有无限潜力的市场。2003年,中央政府和香港特区政府签署了《内地与香港关于建立更紧密经贸关系的安排》(简称CEPA),香港与内地电影的交流与合作更加深入,大批香港导演开始进入内地拍片。本文重点归纳几位香港导演“北上神州”之后的一系列碰撞与融合,特别指出新时代香港电影进驻内地市场的内容创造和新颖模式,鼓励华语电影的多元化发展。
With the return of Hong Kong in 1997, the Mainland market was at a time when reform and opening up was taking place. The interaction between the two places intensified. Hong Kong directors’ eyes are on the market with unlimited potential in mainland China. In 2003, the Central Government and the Hong Kong Special Administrative Region Government signed the CEPA (Mainland Closer Economic Partnership Arrangement) (CEPA). The exchange and cooperation between Hong Kong and the Mainland film went deeper. A large number of directors from Hong Kong started to enter the Mainland to make films. This article focuses on a series of collisions and mergers of several Hong Kong directors and “Northern Gods”. In particular, he points out the content creation and new modes of Hong Kong films entering the mainland market in a new era and encourages the diversified development of Chinese-language films.