纵观艺术史,每一次新的流派和伟大艺术的诞生,似乎都意味着革命,思想的革命。如果艺术家仅仅只是把不断革新作为意义,而不去反思革新的目的,从而努力回到自身文化发展的历史脉络中,深入其文化失落的痛处,真正创造新文化的生机,那么,一切革新都会变成“为而不为”。 Throughout the history of art, every new genre and the birth of great art seem to mean revolutions and revolutionary ideas. If an artist merely tries to keep innovating as meaning instead of reflecting on the purpose of reform so as to try hard to return to the historical context of its own cultural development, deepen the pain of cultural loss and truly create a new culture, then all innovation will change Into “instead of ”.