一“涵濡”的特别之处其实在于它强调不同历史力量碰撞时持续不稳定的历史实践过程,而不是从静态的抽象理论思辨来把握历史和文化构成。这对于突破范畴史、概念史的书写方式,开拓新的文论史书写方式来说,尤为重要。但在这样的层面来理解文论史的发展仍然不够。即便我们从侧重历史实践的涵濡入手,把中国现代文艺理论理解为中国自我与外来他者之间的持续的文化涵濡过程在中国现代文艺理论领域的一种结果或具体呈现,我们其实仍是在中西碰撞的 The special feature of a “Hanwen” lies in its emphasis on the historical process of instability that persists in the collision of different historical forces, rather than grasping the composition of history and culture from the static abstract theoretical speculation. This is particularly important for breaking through the category history, the history of conceptual writing, and opening up new ways of writing history of literary history. However, it is still not enough to understand the history of literary theory at this level. Even if we start with the emphasis on the historical practice, we can understand the Chinese modern literary theory as the result or concrete manifestation of the continuous cultural connotation between the Chinese self and the foreign one in the field of modern Chinese literary theory. In fact, It was a collision between China and the West