“气韵生动”的理论,是历来画家与学者重视的研究问题,本文从气韵的脉胳去阐述,以由古而今有关气韵的走向为线索,旁及哲学、文学等,是必要而自然的叙述。当绘画水准达到一定高度时,欲更上一层楼,就必须提高自己的综合素质。而气韵的含义正是对画家自身学识修养的一种要求,也是认识论与方法论的一种体验。对历史的研究,不仅能把握些中国古代审美意识的内在律动,揭示中国传统审美意识的一些本质特征,而且能在学习中提升自己的修养和识见。 The theory of “vivid atmosphere” is a research question that painters and scholars have always attached importance to. This essay elaborates from the vein of the aura, which is necessary and natural from the direction of the rhythm of qi and rhyme as well as philosophy and literature Narrative When the level of painting reaches a certain height, to the next level, we must improve their overall quality. The meaning of qi rhyme is just one of the requirements of painter’s own knowledge and accomplishment, and also an experience of epistemology and methodology. The study of history can not only grasp the inherent laws of ancient Chinese aesthetic awareness, reveal some essential features of Chinese traditional aesthetic awareness, but also enhance their self-cultivation and understanding during their studies.