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风水轮流转。世间的一切似乎总是在冥冥之中寻求或建立着一种让人满意的平衡。不管这种平衡是出自上帝的神秘之手也罢,还是源自于俗间民众“喜新厌旧”的俗常心理,不同的东西总是“你方唱罢我登场,去旧出新待轮回”。就拿电影中的男主人公来说,从若干年前电影中“浓眉大眼”的银幕英雄到上世纪末流行的“丑男”.再到近几年银幕、荧屏中不断寻找回来的“阳刚”——存在的大概首先就是合理的,所以我们倒不用想要不要阳刚,阳刚多了还是少了,而不妨先琢磨一下电影中的“阳刚”大概是什么。 阳刚似乎是男人特有的专利。慈禧太后专权暴虐,应该属于“阴盛”;佘太君挂帅出征,实质上应该归结为其时社会的“阳衰”,勇则勇矣,总不能叫“匹夫之勇”——那是阳刚男子的最后专利。 阳刚好像又是专为正面人物所有。反派角色再
Feng Shui turns. Everything in the world always seems to seek or establish a satisfying balance in some way. Whether this balance comes from the mystical hand of God or from the ordinary psychology of the common people who are “like to be new and old,” the different things are always “you sing it, I debut it, go back to old and new to be reincarnated.” Take the movie hero, from a few years ago in the movie “Nongmeidan” screen hero to the late last century popular “ugly man.” In recent years the screen, the screen constantly looking back “masculine” - Presence is probably the first reason is reasonable, so we do not want to not masculine, masculine or less, and may wish to ponder the movie “masculinity” is probably what. Masculine seems to be a man-specific patent. Empress Dowager Cixi tyranny, should belong to “yin sheng”; She Tajun commander in chief, in essence, should be attributed to the social “sunburst” brave courage, can not be called “the courage of every man” - that is the final patent of masculine man . Masculine just like it is designed for the positive people. The villain role again