明中叶后,宫廷与上层禁戏诏谕、律令相对减少,而文人士大夫参议、家训官箴、功过格等社会舆论禁忌增多。导因于官方戏曲教化论影响,禁戏的言论将戏曲传演看做一切罪恶的渊薮,看做风俗奢靡、道德堕落的罪魁祸首。随着明代后期士宦蓄养家乐家班风气兴起, After the middle of Ming Dynasty, the court and the upper banned edict, relative decrees, while the literati and doctor’s senate, Jiaxun Guanzhen, power grid and other social taboos increased. Due to the influence of official drama education theory, the prohibition speech regards the drama performance as the profound source of all evil, as the chief culprit in the extravagance of the society and moral degeneration. With the late Ming Dynasty Shih-Hsun family musicians family style rise,