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一、现代诗坛的“睡火山”在中国新诗史上,痖弦是独特的;在世界诗歌史上,“痖弦现象”亦是鲜见的。20世纪50、60年代,当我们正沉浸在民族化、大众化的政治抒情诗中的时候,痖弦和洛夫、张默、余光中、罗门、杨牧等人却在台湾掀起了现代主义诗潮,延续着“五四”新诗的西向“移植”与民族“继承”之路。从1953年发表处女作《我是一勺静美的小花朵》到1966年停笔,痖弦一共写诗118首,87首收入诗集《深渊》,其后,不管什么版本、什么选集,《痖弦诗选》、《痖弦诗集》、《痖弦诗抄》……都是以《深渊》为蓝本,或增加或节选而成,实际上就是一本。
In the history of Chinese modern poetry, the chord string is unique. In the history of world poetry, the phenomenon of “string chord” is also rare. In the 1950s and 1960s, while we were immersed in the nationalized and popular political lyric poetry, Psittacos and Love, Zhang Mo, Yu Guangzhong, Luo Men and Yang Mu et al. Set off a wave of modernism in Taiwan , Continuing the road of “transplanting” and “inheritance” of the new verse in May Fourth Movement. From the debut 1953 debut, “I am a spoonful of beautiful flowers” to stop writing in 1966, Chu string wrote a total of 118 poems, 87 first income poems “abyss”, then, no matter what version, what anthology, Poetry anthology “,” poetry anthology “,” poetry of poetry “are all based on” abyss ", or added or excerpted from, is actually a book.