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文章以表演艺术领域中“体验派”与“表现派”的理论论争为基调,探索“体验”与“表现”两种理论主张在歌剧艺术中的现实地位。歌剧表演艺术实践证明,体验与表现在歌剧表演过程中应相互借鉴,如此才能保证不会在理论和实践上陷入形而上学的泥潭。
The article is based on the theoretical debates about the theory of “experiencing” and “experiencing” in the field of performing arts and explores the realistic status of the two theoretical claims of “experience” and “performance” in the art of opera. The practice of opera performing arts proves that experience and performance should learn from each other in the process of opera performance so as to ensure that they will not fall into the mire of metaphysics in theory and practice.