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中国当代音乐剧创作不过20多年,发展却十分迅速。对中国音乐剧的不同看法导致了创作中的多元化和多样性特征,而音乐剧的演唱与欧洲的古典歌剧又有密切的联系。本文分析了中国当代音乐剧中的各种演唱风格,讨论与歌剧的联系以及所出现的“文化拼盘”现象,指出文化串讲是当代艺术家常用的手法,而外来范式与本土经验的协调与发展,是当代中国音乐剧创作的最大问题。
However, the creation of Chinese contemporary musicals has been developing rapidly for more than 20 years. The different views on Chinese musical drama lead to the diversification and diversity in the composition, while the concert of the musical is closely related to the classical opera in Europe. This article analyzes the various singing styles in contemporary Chinese musicals, discusses their connections with operas and the phenomenon of “cultural platter” appearing. It points out that cultural crosstalk is a commonly used technique by contemporary artists, and the coordination between the exotic paradigm and native experience Development is the biggest issue of the contemporary Chinese musical creation.