论文部分内容阅读
清代是我国方志编修的鼎盛时期,清代也是外来洋琴与中华传统音乐文化融合发展的主要时期。汇辑、考释清代方志所见洋琴资料,为中国扬琴的史料建设提供更多的信史依据;笔者通过与同时期相关诗文资料的对比研究,从文献学与音乐学相结合的角度,认识、揭示中国扬琴的独特发展轨迹。考释所涉清代方志有四:《澳门记略》、《香山县志》、《厦门志》、《钦定皇舆西域图志》;旁及《十六世纪中国南部行记》、《蜃楼志》、《常税则例》、《异域琐谈》、《西陲总统事略》并诗文资料若干。
The Qing Dynasty was the heyday of local choreographers, and the Qing Dynasty was also the main period during which the foreign dulcimer and Chinese traditional music culture merged and developed. Rehearsing and examining the data of the dulcimer found in the chronicle of the Qing dynasty to provide more evidences for the historical construction of the dulcimer in China. By comparing with the relevant poems and materials in the same period, the author, from the perspective of the combination of philology and musicology, , Reveal the unique development track of Chinese dulcimer. There are four parts in the Qing Dynasty dialect study: “Macau”, “Fragrant Hill County”, “Xiamen”, “King of the Yellow Emperor map of the Western Regions”; next to “the sixteenth century in southern China”, “mirage” “The case of regular tax”, “exotic trivial talk”, “Xi Xun Presidential Affairs” and poetry a number of information.