近年来,相声出现了大滑坡,一些演员在舞台上油腔滑调,或乱拿辈份开玩笑,或拿生理缺陷逗着玩,或拿男女关系当作料,作品趣味低下,浅薄,没有思想力度,用一句北京话说就是耍贫嘴。不论是侯宝林还是马三立,前辈相声大师的成功都离不开贴近老百姓的生活,针砭时弊。当前,我国社会正处于转型期,社会上可讽刺的东西俯拾皆是,不知为什 In recent years, there has been a big slide in the crosstalk. Some of the actors slide on the stage, or jokingly take seniority, or play with the physical defects, or take the relationship between men and women as a material, with low interest, superficiality and no thought. Beijing dialect is to be talkative Whether Hou Baolin or Ma Sanli, the success of its predecessors comic master are inseparable from the lives of ordinary people, pinpoint the shortcomings. At present, our society is in a period of transition. There are many satirical things in the community that are abounding. I do not know why