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花鸟画的创新离不开两个方面,一个是中西的融合,一个是个性的张力。说到西画,也有传统与现代之分。在谈到水墨画的中西融合和传统与现代的结合时,往往没有对西画的传统与现代作区别,如陆春涛的作品,很多人在分析他的花鸟画变革时注意到他画中的西画的成分,而往往也把这些成分作为现代性来理解。说到个性,也要和自我表现相区别,个性在传统绘画中就存在,自我表现则是现代艺术的特征。在陆春涛的画中,无论是传统的成分还是西画的成分,都是经过他的个性化处理而呈现新的面貌。自我表现的因素在陆春涛的画中是非常隐蔽地存在,一般而言,自我表现越过一定
The innovation of flowers and birds painting can not be separated from two aspects, one is the integration of Chinese and Western, one is the tension of personality. When it comes to Western painting, there are also points of tradition and modernity. When it comes to the integration of Chinese and western ink paintings and the combination of tradition and modernity, they often do not make a distinction between the tradition and the modernity of western painting. For example, the works of Lu Chuntao, many people noticed the composition of the Western paintings in his paintings when analyzing the changes of their flower and bird paintings , But often these elements are also understood as modernity. Speaking of personality, but also to distinguish themselves and self-expression, personality exists in the traditional painting, self-expression is the characteristics of modern art. In Lu Chuntao’s paintings, both the traditional composition and the composition of Western paintings present a new look through his personalization. The factors of self-expression exist very subtlely in the paintings of Lu Chun-tao. In general, self-expression exceeds certain