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创作的高度与表现涵量问题一直是困扰着中国画发展的关键问题。就当下创作现状考察,创作主体的认识基础并未获得具有当代意义上的调节和转换,相反,主体认识的变易性使得艺术表现的高度与涵量显现出多层与多构。一方面,这种现状成就了艺术形式上的多样化,另一方面又暴露出作者对艺术史或在艺术史中体现的民族文化认识的误区。
The issue of the height and performance of creation has always been a key issue haunting the development of Chinese painting. On the current status quo of creation, the foundations of the creative subject did not get the adjustment and conversion in the contemporary sense. On the contrary, the translatability of the subject cognition made the height and content of the artistic expression appear multi-layered and multi-conformation. On the one hand, this situation has resulted in the diversification of the art form, on the other hand, it has exposed the author’s erroneous understanding of the art history or the national culture embodied in the art history.