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对我们参加《琵琶泪》编演的人员来说,如何编好这个现代题材的京剧,是一次艺术测验。我们的答卷,虽然得到了一些好评,但距离时代的要求,还相差很远。不过,实践出真知,通过这次创作实践,使我们开始体会到,要摆脱京剧现代戏创作中那种“话剧加唱”“非驴非马”的境地,就必须认真学习,全面吃透京剧艺术的优良传统
For those of us who participated in the filming of “Pipa Tears,” how to compile this modern theme of Peking Opera is an art test. Our answer, although it received some favorable comments, still lags far behind the requirements of the times. However, in practice, we have come to realize that through this creative practice, we must realize that if we want to get rid of the “non-ass and non-non-masculine” situations in modern opera in Beijing opera, we must conscientiously study and fully understand the art of opera Fine traditions