现在习惯称主旋律电影为主流电影,新中国成立后的“十七年电影”大体都是这样的状貌,不管其类型(也许还谈不上类型)、题材、风格、形态如何,都符合国家的主流价值观。在粉碎和破坏之间,对新型社会面貌持毫无保留的热衷,以及对其缔造者存绝不怀疑的忠诚。自新世纪以来,随着中国式商业电影的节节开花,主流电影的 Now it is customary to call the theme film a mainstream movie. After the founding of People’s Republic of China, “Seventeen-year Films” are basically the same, regardless of their type (and probably not type), theme, style and shape In line with the country’s mainstream values. Between grind and sabotage, a keen interest in a new social outlook and loyalty to its founder, no doubt. Since the beginning of the new century, with the flowering of Chinese-style commercial films, mainstream films