王刚的长篇新作《喀什噶尔》,将人物置于“文革”结束后的南疆军区文工团,以“过来人”的身份去言说当年17岁“我”的兵团记忆,呈现“我”和战友们在青春期的躁动与渴望,以及面对青春时无从选择的伤痛;同时王刚对17岁“我”的重新审视,是对承载自我早期记忆的边地的塑造与想象,传达着对喀什噶尔的精神依恋,而这样的重返似乎带有某种“还乡”的精神诉求。 Wang Gang’s long novel, “Kashgar,” put the characters in the “Southern Cultural Corps” after the end of the “Cultural Revolution.” They went on to say that the regiment of the 17-year-old “I At the same time, Wang Gang’s re-examination of the 17-year-old ”I“ is a reflection on the edge of the early memory of self Shaping and imagining, conveying the attachment to the spirit of Kashgar, and such a return seems to have some kind of spiritual appeal to ”return home."